July 2, 2009

Less watercolor, more oil painting

I purportedly went to my favorite independent bookstore, A Great Good Place for Books to hear Chandler Burr read from his fabulous new novel You or Someone Like You the other night, but really I went because I wanted him to smell me.  You see besides being a novelist, a journalist and a screenwriter, Chandler is also the perfume critic for the New York Times.  Yes, there is such a thing and no, you can’t have the job because Chandler already has it and will have it forever because he describes perfumes like so: a labyrinth at dusk;  less watercolor, more oil painting, peaceful as a Buddha, elegant as linen, fresh as grass cooling in the evening; the smell of smoking tar and mesquite charcoal lingering on a cowboy’s saddle — is like bungee jumping into a volcano.

I mean, come on.  They invented that job just for him.

I couldn’t help myself.  Five minutes after I met him I asked him to smell me. I was wearing a very subtle perfume, and I knew he would be able to name it.  I offered him my neck–from about five feet away.  He waved at me impatiently and leaned in for a good sniff and that was when I panicked. Chandler Burr was smelling me?  What was I thinking?  What if I smelled bad?

“Do you have something else on besides perfume?” he asked very politely.  ”Hair product?” he suggested.

This was like when you go to the dentist and the dentist asks what medication are you on and you think to yourself you’re a dentist I’m not telling you what medication I’m on, I mean, really, what does the medication I’m on have to do with my teeth, so you say nothing, okay, Zyrtec, okay fish oil tablets, okay Vitamin B-12 sublingual tablets because they are very quickly absorbed into the bloodstream but that’s it.

“No hair product,” I said.

He leaned in for a longer sniff, his nose wrinkling. “I’m not smelling the perfume,” he said.

That’s because he was smelling the Neutrogena Norwegian Formula Cracked Heel Moisturizing Treatment I had put on just before I left the house. “Well, I did put on some hand lotion,” I confess.  Well, heel lotion, but it works really well for hands.

“Mmm,” he said, furrowing his brow.  I’m sure he was compiling his next review: dish soap, bread crumbs, day-old Aunt Jemima syrup cemented to the kitchen counter baking in the sun.

“It’s overpowering your perfume,” he pronounced diplomatically.

“I swear I didn’t come here planning on asking you to smell me,” I told him.  ”It just happened.”

He shrugged.  I took that shrug to mean it happens a lot.  Strange women sticking out their wrists, offering up their necks, wanting their scents to be decoded and translated and affirmed.

His novel is delicious.  I’m savoring every page.

June 24, 2009

Maple Honey Caramels

Every so often I become obsessed with a particular kind of candy.  Candy other than Twizzlers, that is.  And Butterfingers.  Sweet Revolution Maple Honey Caramels.   I can’t stop thinking about them.  I bought a little box at Miette on Chestnut Street in San Francisco to give to my husband for father’s day.   I bought them on a Wednesday.  Father’s Day was on Sunday.  We ate them Wednesday afternoon.  I can’t believe they even made it over the Bay Bridge to Oakland.  Here are the ingredients:  maple syrup, cream, honey, butter, sea salt.  It’s the salt that puts them over the edge.  

Rapture.

June 16, 2009

The Pajamaist

Isn’t that an amazing title? I wish I had thought of it. I’m reading Matthew Zapruder’s book of poetry The Pajamaist and it’s brilliant. I’m so inspired that I have been practicing being a pajamaist. What is a pajamaist, you may ask. I’ve come to realize that’s a very personal question and I can only answer for myself. A pajamaist is somebody who sits around in their pajamas (problem number 1–I have no pajamas, just an odd assortment of mismatched ancient t-shirts and sweat pants) who thinks pajama thoughts (think I’d like some popcorn, think I’d like some chocolate milk, what’s wrong with me why don’t I have a decent pair of pajamas I keep going to the store, to the pajama department and I say to myself, now is the time to buy some pajamas but I never do and now my procrastination has led to my inability to be a pajamaist and I have only myself to blame.).

“You’re not driving me to school in that?” my son sometimes asks in the morning.
“These are not pajamas,” I tell him.
“You wore them to bed,” he says.
“Yes, but they’re not matched. Pajamas are matched.”
“Please don’t get out of the car,” he says.
“Fine,” I say.

The point is. The Pajamaist. Read it.

June 13, 2009

Musings/Gobbledygook/Whatever

 A writing teacher once asked me, why are you in such a rush?  You’re racing through your scenes as if you can’t wait for them to be over.  What’s wrong with you?  Are you a fugitive?  Are you being chased?  And what’s with your main character constantly going out for walks in the woods alone?  And where are all the people?  Where are the lovers, the friends, the sons, the daughters, the aunts, the uncles, the mothers and the fathers?  And then this teacher asked me something I would never forget.  She asked where are the windows?  

I think what she was asking me was “where is the light?”

It’s easy to be alone.  It’s easy to slip out for walks all by yourself.  It’s much harder to stay in the world–the messy, often catastrophically funny, heartbreaking world.  

But that’s where all the good stuff happens